Publication Details
Issue: Vol 4, No 2 (2026)
ISSN: 2993-2769
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Abstract

This article provides a comprehensive design analysis of the groundbreaking Uzbek animated feature "Sehrlandiya," focusing on the innovative synthesis of national cultural heritage and modern digital animation standards. Through a professional designer’s lens and an interview with Creative Director Shukhrat Asayev, the research explores the technical "re-engineering" of medieval Central Asian armor into functional 3D assets, a process termed "Digital Blacksmithing." The study examines the application of the "Marvel Formula"—global visual silhouettes and cinematic lighting—to historical Uzbek figures to enhance their appeal to a modern, global audience. Furthermore, the paper analyzes the emotional resonance of the film, specifically how high-quality visual effects and traditional musical motifs (such as the alla) create a visceral experience for the viewer. The findings suggest that "Sehrlandiya" sets a new benchmark for national animation by successfully balancing high-tech 3D logic with deep cultural semiotics, proving that historical identity can be effectively revitalized through contemporary visual storytelling.

Keywords
Sehrlandiya character design cultural heritage 3D modeling visual semiotics digital engineering national identity marvel aesthetic cinematic lighting Uzbek cinema functional armor