Publication Details
Issue: Vol 2, No 6 (2020)
Pages: 201-205
ISSN: 2620-3502
Abstract
The article deals with the evolution of poetic identity of Anna Akhmatova on the examples of the early collections “Evening” (Vecher, 1912), “Beads” (Chetki, 1914), “White Flock” (Belaia Staia, 1917) in the aspect of subject, genre and style and with the perception of the poetess' works by intravital and contemporary critics.
Keywords
Akhmatova
genre
style
poetic identity
evolution
subject
critics