Publication Details
Issue: Vol 6, No 3 (2023)
Pages: 294-301
ISSN: 2620-3502

Abstract

The article examines the origins and processes of the formation of Bukhara shashmaqoms, the place of their status in oriental music, and their original theoretical foundations. When studying the theoretical foundations of maqam, the emphasis is mainly on the theory of ilmi iiko (rhythm).

Keywords
Shashmakom Iyko' Kho zam-zam Chapak Kars Ushshak