Publication Details
Issue: Vol 6, No 3 (2023)
Pages: 294-301
ISSN: 2620-3502
Abstract
The article examines the origins and processes of the formation of Bukhara shashmaqoms, the place of their status in oriental music, and their original theoretical foundations. When studying the theoretical foundations of maqam, the emphasis is mainly on the theory of ilmi iiko (rhythm).
Keywords
Shashmakom
Iyko'
Kho zam-zam
Chapak
Kars
Ushshak