The Poetics of Muhammad Ali’s Epic Poetry

This article examines the poetic features of Muhammad Ali’s epic poems (dostons), with particular attention to their lyrical-epic nature and their place in the development of twentieth-century Uzbek literature. The study situates Muhammad Ali’s works, such as Mashrab and Gumbazdagi nur, within the broader historical and cultural context of Uzbek poetry, which, under the influence of both classical traditions and modern literary movements, experienced significant transformations during the Soviet period. While classical epics, like those of Alisher Navoi, emphasized idealized heroes and elaborate introductory sections, Muhammad Ali’s epics embody a synthesis of historical reflection, lyrical sensitivity, and authorial subjectivity. His works not only reconstruct historical memory invoking figures such as Amir Temur and Mashrab but also integrate personal and collective experiences, including autobiographical elements. Through this duality, Muhammad Ali demonstrates how the modern Uzbek doston could serve both as a continuation of classical forms and as a platform for innovation, combining national heritage with contemporary concerns. The article also highlights scholarly perspectives on his oeuvre, underlining the significance of his contribution to Uzbek literary tradition. Ultimately, the study argues that Muhammad Ali’s epic poetry represents a unique bridge between tradition and modernity, embodying lyrical depth, historical consciousness, and artistic innovation.