Publication Details
Issue: Vol 6, No 4 (2025)
Pages: 765-769
ISSN: 2660-6828

Abstract

The problem of style in literary discourse remains one of the central issues in modern stylistics. Theoretical perspectives developed by scholars such as V.V. Vinogradov and C. Bally emphasize that style is not only a linguistic phenomenon but also a functional and aesthetic category. In the context of Uzbek literary studies, researchers including A. Shomaqsudov, S. Karimov, and M. Iminov have explored how dialectal units, colloquial elements, and other non-standard forms interact with the norms of the literary language. Although dialectal words deviate from standard usage, they serve specific artistic purposes such as individualizing characters’ speech, reflecting local color, and enhancing expressivity. The practical dimension of this study focuses on the works of Suyundik Mustafo Nurotoiy, particularly his short story collection Ko‘ngil sadolari. His use of dialectal forms illustrates the way in which linguistic variation contributes to artistic imagery, emotional coloring, and national identity within prose. Thus, the stylistic function of non-standard elements in literary texts demonstrates that style is both a reflection of linguistic norms and a creative transformation of them. This dual perspective underscores the importance of stylistic analysis in understanding the dynamics of Uzbek literature.

Keywords
dialectal style Uzbek literary prose stylistics lexical dialectisms grammatical variation phonetic features Suyundik Mustafo Nurotoiy expressive function cultural identity national coloring functional styles