Publication Details
Abstract
This article explores the theoretical essence of choreographic art and its relation to the basic laws of drama. The primary objective is to define the multifaceted nature of choreography, which encompasses more than just dance, and to discuss its historical evolution, particularly in the context of Uzbek national dance. The study examines how choreography reflects human emotions, thoughts, and experiences through movement, and highlights the role of folk, stage, and ballet arts in Uzbekistan's dance culture. Using a qualitative approach, the research delves into the influence of various dance forms and the significance of choreography in physical and emotional development. The study concludes by emphasizing the importance of choreographic dramaturgy in creating meaningful dance performances that connect with audiences on both artistic and emotional levels.