Publication Details
Issue: Vol 7, No 1 (2025)
Pages: 6-12
ISSN: 2660-6844

Abstract

Journalism, as an integral part of spiritual and cultural production, represents a unique form of creative and intellectual activity that reflects the complexity of human thought and communication. Historically, the study of journalistic creativity emerged in the late nineteenth century alongside the rise of the psychology of creativity, which aimed to explore the mechanisms of imagination, intuition, and mental processes in professional activity. Over time, journalism came to be viewed not merely as a medium for information dissemination but as a creative discipline involving artistic, cognitive, and communicative dimensions. Despite the recognition of journalism as a form of creative work, limited research has systematically analyzed its psychological and artistic aspects as interdependent elements of professional competence. This study seeks to identify the creative essence of journalism by examining its psychological foundations, methodological evolution, and aesthetic dimensions that define journalistic mastery. The analysis reveals that journalism synthesizes logical reasoning, emotional perception, and aesthetic expression, enabling journalists to transform facts into meaningful narratives that shape public consciousness and cultural identity. It highlights the interplay between imagination, intuition, and ethical responsibility in journalistic creativity. The study provides an interdisciplinary framework connecting the psychology of creativity with journalism studies, offering new insights into journalism as a form of intellectual art. These findings reaffirm the need to view journalism as both a social and creative force that nurtures moral consciousness, fosters critical thinking, and contributes to the cultural and spiritual development of society.

Keywords
Journalist journalism art creativity newspaper magazine radio television competence psychoanalysis psychology human psyche