Women’s Participation in Traditional Music and the Preservation of Cultural Heritage in Rivers State, Nigeria

Women are unique individuals in Rivers State and are given the freedom to participate in music and various cultural traditions. These traditions not only define their role within the family and community but also ensure the sustainability and continuity of their heritage. In Ogoni communities, the Gbeabe custom plays a significant role in preserving cultural practices and family structures. This study aims to examine specific customs practiced in Ogoni communities, including Sira (First Daughter Type), Tube Kimasi (Family Continuity Type), Kpoli ne yoma (Grave/Ghost Type), Dom-Age (No Suitor Type), Disability or Physical Challenge, Kin Dom (Rejection of Early Suitor), Nen Sia Yor (Spirit Possessed Person), Man Nwin Gbeabe (Giving Birth Before Marriage), Zor Kpano (Natural Sickness), Poro Baroboo (Moral Decay), and Tea-Ki/Bete (Run-Away Type). Women are divinely created beings, and in Rivers State, they are known for their exceptional skills in dancing, singing, and playing musical instruments. These artistic talents enable them to participate in both favorable and challenging traditions. However, some customs, such as the family continuity tradition, which requires a woman to remain unmarried for the sake of preserving lineage, pose significant challenges for women in Ogoni communities.