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Abstract
The current research entitled: The aesthetics of Arabic letter formation In Iraqi drawing (artist Jassim Mohammed) as a model ,Highlighting The aesthetic aspect of his artwork, which included Arabic letters.And the symbolic features it carriedand technology,AndThe research contained four chapters.Chapter one includesThe methodological framework of the research, represented by: the research problem, which highlighted:The importance of Arabic calligraphy How to form it and include it in the artsAs a mechanism that casts its shadow on the levels of knowledge, art and studiesModern andContemporary, and it also contained the research objective, which is: to identify the aesthetics of forming the Arabic letter. In Iraqi drawing (artist Jassim Mohammed) as a model ,.As for the second chapter, it contained the theoretical framework that included three axes. The first axis dealt with: (the historical origins of writing (the letter) through reviewing the first beginningsFor Arabic calligraphyAnd the reasons for its emergence and use, then the researcher reviewed in the second axis: (Arabic letters, their properties and meanings), which is a proposalThe meaning of each letter and where it is usedThe third axis was about: the use of the Arabic letter inWorks of the Iraqi artist ,The third chapter included the research procedures, the research community, its sample, and the analysis of the sample amounting to (5) From the artist's worksModern Iraqi (Jassim Mohammed),Highlighting the most important aestheticsthatIncluded in the research sampleFinally, the research concluded with the fourth chapter, which reviewed the most important results, conclusions, recommendations and proposals.
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